Texts
Cage, J. (2004). The Future of Music: Credo. In C. Cox and D. Warner (Eds.). Audio Culture: Readings in Modern Music. (pp. 25-28). Continuum International Publishing.
Demers, J. T. (2010). Listening Through the Noise: The Aesthetics of Experimental Electronic Music. Oxford; New York: Oxford University Press.
Plumley, G. (2011). Website Design and Development. Indianapolis: Wiley Publishing Inc.
Russolo, L. (2004). The Art of Noises: Futurist Manifesto. In C. Cox and D. Warner (Eds.). Audio Culture: Readings in Modern Music. (pp. 10-15). Continuum International Publishing Group Inc.
Schafer, R. M. (1994). The Soundscape: Our Sonic Environment and The Tuning of the World. Rochester, Vt: Destiny Books.
Truax, B. (1999). Handbook for Acoustic Ecology: CD-ROM edition, version 1.1; ed. Barry Truax Cambridge Street Publishing.
Truax, B. (2001). Acoustic Communication. Westport, Conn: Ablex Publishing.
Truax, B. (2002). Genres and Techniques of Soundscape Composition as Developed at Simon Fraser University. Organised Sound, 7(1), 5-14. DOI:10.1017/S1355771802001024
Truax, B. (2008). Soundscape Composition as Global Music: Electroacoustic Music as Soundscape. Organised Sound, 13(2), 103-109. doi:10.1017/S1355771808000149
Truax, B. (2012). Sound, Listening and Place: The Aesthetic Dilemma. Organised Sound, 17(3), 193-201. doi:10.1017/S1355771811000380
Westerkamp, H. (2002). Linking Soundscape Composition and Acoustic Ecology. Organised Sound, 7(1), 51-56. doi:10.1017/S1355771802001085. Retrieved from http://www.sfu.ca/~westerka/writings%20page/articles%20pages/linking.html
Demers, J. T. (2010). Listening Through the Noise: The Aesthetics of Experimental Electronic Music. Oxford; New York: Oxford University Press.
Plumley, G. (2011). Website Design and Development. Indianapolis: Wiley Publishing Inc.
Russolo, L. (2004). The Art of Noises: Futurist Manifesto. In C. Cox and D. Warner (Eds.). Audio Culture: Readings in Modern Music. (pp. 10-15). Continuum International Publishing Group Inc.
Schafer, R. M. (1994). The Soundscape: Our Sonic Environment and The Tuning of the World. Rochester, Vt: Destiny Books.
Truax, B. (1999). Handbook for Acoustic Ecology: CD-ROM edition, version 1.1; ed. Barry Truax Cambridge Street Publishing.
Truax, B. (2001). Acoustic Communication. Westport, Conn: Ablex Publishing.
Truax, B. (2002). Genres and Techniques of Soundscape Composition as Developed at Simon Fraser University. Organised Sound, 7(1), 5-14. DOI:10.1017/S1355771802001024
Truax, B. (2008). Soundscape Composition as Global Music: Electroacoustic Music as Soundscape. Organised Sound, 13(2), 103-109. doi:10.1017/S1355771808000149
Truax, B. (2012). Sound, Listening and Place: The Aesthetic Dilemma. Organised Sound, 17(3), 193-201. doi:10.1017/S1355771811000380
Westerkamp, H. (2002). Linking Soundscape Composition and Acoustic Ecology. Organised Sound, 7(1), 51-56. doi:10.1017/S1355771802001085. Retrieved from http://www.sfu.ca/~westerka/writings%20page/articles%20pages/linking.html