Last month I was interviewed about my creative and teaching practice by marketing and communications assistant for ROAR, Amy Forde.
I've had the pleasure of being interviewed for various things in the past, but this was rather more personal than I've been used to and Amy had a very natural manner and way of asking questions that I found really got me talking. I think Amy is clearly very skilled as she was able to create a succinct and sensible article from my disorganised and (perhaps) frenetic ramblings!
Many thanks, Amy for approaching me about this and for writing so many wonderful words.
You can read a PDF of the article or visit the Chase magazine website (pages 36-37).
A visit to Whitby for a good friend's birthday presented the opportunity to capture some coastal recordings for my sound library. Unfortunately, I came down with an awful virus that very weekend and had to spend most of our short break recovering in bed - how disappointing!
Although being very poorly, I was able to grab some quick and very rough recordings - nothing of much use but I've certainly learned a lot about recording on wet sand! The great news is my windshield worked brilliantly and even this simple microphone was able to pick up some decent coastal ambience, thanks in large to the quiet pre-amps on my recorder.
Now the weather is improving there will no doubt be more opportunity to get out and capture more sounds in the field without threat of rain ruining my gear or excessive winter wind ruining my recordings!
I am currently working on a composition which makes use of the various sounds generated by 'playing' a variety of coins currently in circulation in the UK. I wanted to use the sounds created when handling coins ( which are a physical manifestation of a national/global system: the 'idea' of the coin is worth more than the actual metal it's made from) for their symbolic nature and how we attempt overcome certain obstacles that arise throughout the course of our lives.