Texts

Cage, J. (2004). The Future of Music: Credo. In C. Cox and D. Warner (Eds.). Audio Culture: Readings in Modern Music. (pp. 25-28). Continuum International Publishing.

Demers, J. T. (2010). Listening Through the Noise: The Aesthetics of Experimental Electronic Music. Oxford; New York: Oxford University Press.

Plumley, G. (2011). Website Design and Development. Indianapolis: Wiley Publishing Inc.

Russolo, L. (2004). The Art of Noises: Futurist Manifesto. In C. Cox and D. Warner (Eds.).
Audio Culture: Readings in Modern Music. (pp. 10-15). Continuum International Publishing Group Inc.

Schafer, R. M. (1994).
The Soundscape: Our Sonic Environment and The Tuning of the World. Rochester, Vt: Destiny Books.

Truax, B. (1999).
Handbook for Acoustic Ecology: CD-ROM edition, version 1.1; ed. Barry Truax Cambridge Street Publishing.

Truax, B. (2001). Acoustic Communication. Westport, Conn: Ablex Publishing.

Truax, B. (2002).
Genres and Techniques of Soundscape Composition as Developed at Simon Fraser University. Organised Sound, 7(1), 5-14. DOI:10.1017/S1355771802001024

Truax, B. (2008).
Soundscape Composition as Global Music: Electroacoustic Music as Soundscape. Organised Sound, 13(2), 103-109. doi:10.1017/S1355771808000149

Truax, B. (2012).
Sound, Listening and Place: The Aesthetic Dilemma. Organised Sound, 17(3), 193-201. doi:10.1017/S1355771811000380

Westerkamp, H. (2002).
Linking Soundscape Composition and Acoustic Ecology. Organised Sound, 7(1), 51-56. doi:10.1017/S1355771802001085. Retrieved from http://www.sfu.ca/~westerka/writings%20page/articles%20pages/linking.html