I was approached to create a short piece based on a cutting taken from a large artwork donated by Ken Horne, member and manager at ROAR. I was also asked to provide a brief explanation of my approach.
My first reaction to the cutting was how familiar the image looked to the style of various graphic scores I've seen, played from and composed. My first step was to tag the work with sticky notes on which I wrote my immediate reactions so I could then spend more time thinking about the soundscape I might create...I was given just two weeks!
Noticing the controlled ranges of colours and shapes and how they seemed to move across the page filled my imagination with ideas of an open wind-swept landscape and the sounds of small unseen creates moving in their own unique way. This prompted me to use a mixture of found objects which included a metal filing cabinet, screws and pieces of wood as well as traditional instruments; I knew I would need to spend time sitting and playing with the unfamiliar sounding objects to find out what they are capable of. I recorded the instruments and sounding objects using a combination of contact and ambient microphones to try and create texture in the sounds themselves. In the end, I edited in some changes of volume and panning, as well as cleaning up some of the chops and gaps using Logic Pro X for the Mac.
This experience has reminded me how much I enjoy improvisation working from a score and also brought back some buried thoughts on improvisation and composition.
Listen to the Unnamed Soundscape
Lots of fun at the third ROAR Gathering at The Factory this weekend!
I was delighted to exhibit two pieces: Questioner, 1863 and Apprentice. These pieces demonstrated my use of video in creating realtime scores for musical improvisation, as well as silent video art aimed at generating an imagined sonic experiences.
The large concrete space carried the flute sounds of Questioner, 1863, creating dream-like apparitions throughout The Factory, while the darkness of the projection room provided excellent contrast to the hands seen in Apprentice.
Collecting feedback through exhibition is essential and although there was some competition with the royal wedding, football cup finals and delightful weather, many artists were presenting work. Discussing exhibiting artists' sculptures and pieces of audiovisual installation with them inspired me to think about new ways of working for exhibition.
The launch of my exhibition at Access Space in Sheffield was a success! Thank you to all who came down to see and discuss the work in person - I very much enjoyed the chance to get feedback and discuss various ideas with the group.
The two pieces from my MA portfolio, Syncretism and Apprentice, are still being exhibited at Access Space until the 15th June, 2017.
Please check out information about Access Space and the exhibition.
I am pleased to announce the first exhibition of two pieces from my MA portfolio: Syncretism and Apprentice.
Access Space in Sheffield has agreed to show these two works along with a brief discussion from myself on the opening night. The event opens on July 1st at 5:30pm and will be shown for two weeks.
Further information about Access Space and the exhibition can be found here.